Music
Direct from Los Angeles, Cantor Ben Tisser
By DORIS RUBENSTEIN Ben Tisser, the new cantor at Beth El Synagogue, knew from a very early age that the...
Accordion virtuoso Mark Stillman’s long and winding road
By DORIS RUBENSTEIN The accordion may be the Rodney Dangerfield of the musical instrument world – it gets no respect...
Black and Jewish Americans unite to talk about fighting antisemitism and all that jazz
By LARRY LUXNER In the late 1930s, Jewish clarinetist and jazz bandleader Benny Goodman, known as the King of Swing,...
Dan Israel sticks close to his Minnesota home
By DORIS RUBENSTEIN Which Jewish musician has roots on the Iron Range and has a new recording coming out soon?...
Sharon Isbin discusses her Minnesota roots
By DORIS RUBENSTEIN American Jewish World readers who are also classical music aficionados already know that world-renowned classical guitarist Sharon...
Harpsichordist Richard Siegel shares his music with the world
By DORIS RUBENSTEIN Most people don’t think of the harpsichord as a very Jewish instrument, but the revival of the...
Minnesota artists create in isolation
By DORIS RUBENSTEIN Many artists work by themselves as part of their creative process. The shelter-at-home orders may seem irrelevant...
The Manhattan Transfer hits town
By MORDECAI SPECKTOR The Manhattan Transfer, the perdurable and still swingin’ vocal ensemble, returns for four shows, Feb. 10-11, at...
He’s back to playing like Fred Hersch
By MORDECAI SPECKTOR In his exemplary 2017 memoir, Good Things Happen Slowly: A Life In and Out of Jazz, acclaimed...
Michael Feinstein makes his Dakota debut
By MORDECAI SPECKTOR In his 2012 book, The Gershwins and Me: A Personal History in Twelve Songs, Michael Feinstein writes:...
