• About
  • Support AJW
  • Jewish Community Directory
  • Subscription Information
  • Contact Us
American Jewish World
No Result
View All Result
  • News
    • All
    • Africa
    • Asia
    • Australia & New Zealand
    • Europe
    • Israel/Mideast
    • Latin America
    • Minnesota
    • US & Canada
    On trumpet, Frank London

    On trumpet, Frank London

    Editorial: In the ghetto

    Editorial: In the ghetto

    Natalie Fine Shapiro’s artworks bring the colors of spring

    Natalie Fine Shapiro’s artworks bring the colors of spring

  • Arts
    • All
    • Blue Box
    • Books & Literature
    • Music
    • Televison & Film
    • Theater & Performing Arts
    • Visual Arts
    A wedding in Hebron gets complicated

    A wedding in Hebron gets complicated

    On trumpet, Frank London

    On trumpet, Frank London

    Surviving the hell of death camps

    Surviving the hell of death camps

  • Lifestyle
    • All
    • Fashion
    • Food
    • Health & Wellness
    • Home & Garden
    • Travel & Culture
    Jewish Cubans survive the island’s economic collapse

    Jewish Cubans survive the island’s economic collapse

    My time with the Greek Jewish community

    My time with the Greek Jewish community

    Tracing family roots in Germany

    Tracing family roots in Germany

  • Editorial
  • Opinion
  • AJW Digital Archives
  • News
    • All
    • Africa
    • Asia
    • Australia & New Zealand
    • Europe
    • Israel/Mideast
    • Latin America
    • Minnesota
    • US & Canada
    On trumpet, Frank London

    On trumpet, Frank London

    Editorial: In the ghetto

    Editorial: In the ghetto

    Natalie Fine Shapiro’s artworks bring the colors of spring

    Natalie Fine Shapiro’s artworks bring the colors of spring

  • Arts
    • All
    • Blue Box
    • Books & Literature
    • Music
    • Televison & Film
    • Theater & Performing Arts
    • Visual Arts
    A wedding in Hebron gets complicated

    A wedding in Hebron gets complicated

    On trumpet, Frank London

    On trumpet, Frank London

    Surviving the hell of death camps

    Surviving the hell of death camps

  • Lifestyle
    • All
    • Fashion
    • Food
    • Health & Wellness
    • Home & Garden
    • Travel & Culture
    Jewish Cubans survive the island’s economic collapse

    Jewish Cubans survive the island’s economic collapse

    My time with the Greek Jewish community

    My time with the Greek Jewish community

    Tracing family roots in Germany

    Tracing family roots in Germany

  • Editorial
  • Opinion
  • AJW Digital Archives
No Result
View All Result
Morning News
No Result
View All Result
Home Arts

Gershwin’s Jewish soul music

American Jewish World by American Jewish World
May 23, 2020
in Arts
0
Share on FacebookShare on Twitter

Park Square Theatre brings back Gershwin show written by local musician Joe Vass

By ERIN ELLIOTT BRYAN / Community News Editor

Joe Vass has always loved the music of composer George Gershwin, and other songwriters from the early to mid-20th century — music from what is known as the Great American Songbook. But when Vass began exploring the world of Jewish music, he was surprised to find Gershwin (born Jacob Gershowitz) there.

READ ALSO

A wedding in Hebron gets complicated

On trumpet, Frank London

“I never made the connection, though, between Gershwin music and Jewish music,” Vass told the AJW. “As I, at a certain point in my life, became more aware of Jewish music and began to listen to it, I made that connection. I thought it would be fun and exciting and entertaining to explore the connections between Jewish music and American music like Gershwin’s music.”

That idea formed the basis for the show titled The Soul of Gershwin: The Musical Journey of an American Klezmer, which Vass created several years ago and has performed throughout the United States and in Canada and Israel. The show, originally titled Gershwin, the Klezmer, premiered at St. Paul’s Park Square Theatre in 1999.

Park Square will present the show for the third time on its stage beginning Dec. 15.

“Gershwin appears on stage and tells the story of his own music,” Vass said. “As he does so, we perform his music. There is a story, and the story is in the music.”

Joe Vass: Gershwin appears on stage and tells the story of his own music. (Courtesy of Park Square Theatre)Joe Vass: Gershwin appears on stage and tells the story of his own music. (Photo: Courtesy of Park Square Theatre)

Local actor Michael Paul Levin portrays Gershwin in the show and acts as the guide on a journey to discover the songwriter’s musical influences. Levin is joined by Maggie Burton (the chazzan, or cantor), Prudence Johnson (the chanteuse) and T. Mychael Rambo (the griot, or West African storyteller).

“They are all consummate performers,” Vass said. “Each one alone is worth the price of admission.”

Vass’ contemporary Jewish ensemble Klezmerica provides the music, and includes Chris Bates, bass; Jay Epstein, drums; Adam Meckler, trumpet; Dale Mendenhall, woodwinds; and Gary Schulte, violin. The show features favorites like “The Man I Love,” “I Got Rhythm,” “Embraceable You,” “’S Wonderful,” “It Ain’t Necessarily So” and “Someone To Watch Over Me.”

“We can play jazz, we can play Jewish music, we can do a little classical music as necessary in the show,” Vass said of Klezmerica. “And that, to me, is part of the tradition of the klezmer — the klezmer being a person, a Jewish musician, who plays not just Jewish music, but all kinds of music, or incorporates all kinds of music into Jewish music.”

The show is directed by Peter Moore, with music and lyrics by George Gershwin and Ira Gershwin, and additional lyrics from Porgy and Bess by DuBose Heyward.

Vass said he expects audiences to leave feeling exhilarated and “that it’s a great thing to be a Jew.”

“Also, an appreciation of how much American music comes from Jewish music,” Vass said. “People will say, ‘Well, what’s Jewish music? I never heard that.’ And I say, ‘Well, you’ve been listening to it your whole life, you just didn’t know it.’”

Vass was always drawn to music, beginning with piano lessons as a child. Once he became aware of Jewish music, he connected easily with the genre.

“For me, it wasn’t a matter of quoting something or learning how to play some thing that was kind of at a distance or out there, the way a person sometimes has to do. It was more like a natural way of expressing myself — it came naturally to me, to compose and perform that music,” Vass said. “It just comes quite naturally to me, as it turns out, probably because I’m a Jew.”

During the course of performing the show, Vass has developed a deeper understanding of not only Jewish music and Gershwin music, but of blues, jazz and other musical styles.

“It’s a process, not only what one would call research, which might be, say, reading a book or looking at some sheet music, but really listening and then learning to play it and developing it,” Vass said.

The Soul of Gershwin has been performed hundreds of times and is a unique opportunity to see and hear how the music of composers like Gershwin is influenced.

“If you like good music, this is the show,” Vass said. “[Audiences] will never listen to Gershwin music or American music the same way that they did before. They’ll listen to it a completely new and better way. That’s my goal.”

***

The Soul of Gershwin: The Musical Journey of an American Klezmer will run Dec. 15–Jan. 1 at Park Square Theatre, 20 W. Seventh Place, St. Paul. For tickets and information, call 651-291-7005 or visit: www.parksquaretheatre.org.

(American Jewish World, 12.9.11)

Related Posts

A wedding in Hebron gets complicated
Books & Literature

A wedding in Hebron gets complicated

May 21, 2025
On trumpet, Frank London
Music

On trumpet, Frank London

May 19, 2025
Surviving the hell of death camps
Books & Literature

Surviving the hell of death camps

April 20, 2025
Kim Kivens treads the boards in CDT’s production of ‘Grease’
Theater & Performing Arts

Kim Kivens treads the boards in CDT’s production of ‘Grease’

April 20, 2025
Entering the age of invisibility
Books & Literature

Entering the age of invisibility

January 27, 2025
Jewish cast members talk about the relevance of ‘Parade’
Theater & Performing Arts

Jewish cast members talk about the relevance of ‘Parade’

January 22, 2025
Next Post

Announcing the Hanuka Cover Contest winner!

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

RECENT ARTICLES

A wedding in Hebron gets complicated

A wedding in Hebron gets complicated

May 21, 2025
Editorial: Repression in the guise of fighting antisemitism

Editorial: Repression in the guise of fighting antisemitism

May 20, 2025
On trumpet, Frank London

On trumpet, Frank London

May 19, 2025
Editorial: In the ghetto

Editorial: In the ghetto

April 21, 2025
Surviving the hell of death camps

Surviving the hell of death camps

April 20, 2025

About

Since 1912 the AJW has served as an important news resource for the Jewish community. The Jewish World unites the main Jewish communities in St. Paul and Minneapolis, as well as those in Duluth, Rochester and smaller cities, and bridges the divides between the various Jewish religious streams.

Quick Links

  • About the AJW
  • Advertising Information
  • Submission Guidelines
  • Subscription Information
  • Jewish Community Directory

Contact Us

The American Jewish World
3249 Hennepin Ave., Suite 245
Minneapolis, MN 55408

Tel: 612.824.0030 / Fax: 612.823.0753
editor@ajwnews.com

  • Buy JNews
  • Landing Page
  • Documentation
  • Support Forum

© 2025 JNews - Premium WordPress news & magazine theme by Jegtheme.

No Result
View All Result
  • Home
  • News
  • Food
  • Health & Wellness
  • Lifestyle
  • Opinion
  • About the AJW
  • Jewish Community Directory
  • Support AJW
  • Subscription Information
  • Contact Us

© 2025 JNews - Premium WordPress news & magazine theme by Jegtheme.